We are excited to announce the cast for our spring show, Fiddler on the Roof. We have 51 cast members, including 23 returning Players and 28 brand new Players. We have 11 families involved (parents and youth), five who are new to the Players, and six who are returning. Our talented cast ranges in age from Kindergarten to over 70 years old. Here is a list of some of the roles:
Tevye | Steve Wall | Steve was the Cowardly Lion in Wizard of Oz (2003) and is performing his "dream" role this year |
Golde | Jenny Dreessen | Jenny was the Witch in Into the Woods (2011), and Elsa in Sound of Music (2010) |
Tzeitel | Sarah Walsh | Sarah is new to the Players, recently relocating from Hawaii |
Hodel | Lani Smith | Lani was in Oklahoma! last spring |
Chava | Amberlee Williams | Amberlee is new to the Players, and will be appearing in both shows this season |
Yente | Mary Lou Mills | Mary Lou is new to the Players this year |
Motel | Buddy Todd | Buddy is new to the Players this year |
Perchik | Josh Weibel | Josh is new to the Players, and will be appearing in both shows this season |
Fyedka | Mitchell Pointer | Mitchell is new to the Players, and will be appearing in both shows this season |
Lazar Wolf | Tod Harrick | Tod and is family are new to the Players this year, but have been enthusiastic audience members since 2008 |
Fruma Sarah | Marlene Anderson | Marlene had lead roles at our theater in the 1970's and is thrilled to be returning to both shows this season |
Grandma Tzeitel | Valerie Foster | Valerie has been performing at the theater since she was a child |
Mordcha | Walt Foster | Walt met his wife doing shows at the theater and he will be perfoming in both shows this season with his family |
Avram | Gary Spees | Gary has been performing shows here since Beauty and the Beast (2008) |
Rabbi | Chris Stanley | Chris is reprising his role from the first time we produced Fiddler on the Roof (1998) |
Rabbi's son | Erik Lam | Erik is new to the Players, but his mom and sister performed in Oklahoma! last year |
The Fiddler | Olivia Gordon | Olivia has been performing here off and on with her parents since she was a child |
Constable | Jerry Dreessen | Jerry has been in several shows with his wife and children (see his blog post here) |
Shaindel | Deb Harrick | Deb and her family (see Tod above) are thrilled to be cast in their first Mountaineers Players' show |
We also welcome returning Players: Marion Allred; Kim & David Gordon; Danette, Shawn & Jessica Lam; Callie Maxson; Thea & Debora Reinert; Nicole & Katelyn Cooper; Katie Dreesen, Rosanna Hughes, Brian Lindvall & David Jensen. New Players to round out our cast are: Eliana & Jasmine Harrick (see parents above); Maya, Layla & Joe Markovich (Eliana, Jasmine, Maya and Laya will be sharing the younger daughter roles); Joan, Alfonso & Luciana Barrera; Julie, Stewart, Emma & Jules Shusterman; Shayla & Purcelle Harris; Erica McAdams-Roth and Angela Morgan.
We start rehearsals on Monday evening, March 12th, and Craig (director), Amy Beth (music director) and Guy (choreographer) are looking forward to an awesome rehearsal process. We can assure you with this talented cast and crew that this will be an excellent show – you will want to get your tickets early.
We thank all who auditioned!
The effervescent Sylvie Baldwin, a high school senior at The Northwest School, has taken on the lead role of Laurey for our production of Oklahoma! We asked her to reflect on working at Kitsap Forest Theater, her take on her character and the play as a whole, and her experience working with the rest of the cast and crew. Here is her response:
Honestly, I had no idea what I was getting into when I agreed to Oklahoma! When the Kitsap Forest Theater advertises that you will rehearse in the rain and mud, they mean it. What they don't explain is that you will be having such a fantastic and magical time that you will never want to work in an indoor theater again. Rehearsing and performing in an outdoor space has changed the way I view my work as an actor. Come to Kitsap and you will see that the space itself is alive and it supports the very essence of every production. This should be the value of every set for every actor, however it is hard to remember that when working in indoor, artificially constructed spaces.
Beyond the physical differences between Kitsap and other theaters, is the manner in which your cast becomes a family. Living together on the property during rehearsal and performance weekends, you build relationships impossible in traditional rehearsal settings.
Oklahoma, from Laurey's perspective, is a story about self realization. A young spitfire, whose days of hard work on the prairie have made her independent and adventurous, she is grappling with surrendering herself to love. The vulnerability of exposing one's true feelings is difficult for anyone, but particularly Laurey, who, as a teenager, is still trying to sort out who she is and where she is headed in her life.
In this production of Oklahoma, unlike many other versions, Laurey understands that aside from some of his disquieting mannerisms and anger control problems, Jud (her family's farm hand) is the most logical choice of future spouse. He already knows how to run the family farm, he is open with his feelings of love towards her, and unlike Curly (the man who she truly loves and who is gone for long stretches of time on cattle drives), he is around all the time. In the end her feelings for Curly will prevail, but as an actor this presents a huge obstacle and exponentially increases the emotional energy required for the show. This said, it does make the role that much more fun.
I imagine that every morning Laurey would take a carefree jog through the corn fields, so to ground myself before each performance I like to go for a run. The combination of running and listening to some good old-timey fiddle music...I don't know what it is, but it transports me right to where Laurey is at the start of the show.
The Oklahoma cast and crew is astounding. Everyone involved with the production is so talented. Honestly, they intimidate the living daylights out of me. In a good way though, they push me to take artistic risks, and surpass the expectations I have of myself. Jenny, our director, could single-handedly move mountains with her chutzpah, creativity, and compassion. Cooper, who is playing Curly, has the most amazing honest instincts on stage. It would take me hours of script analysis and preparation to produce what just seems to flow out of him. Megan, a.k.a. Ado Annie, has not only a dynamite voice, but also the most delightful sense of humor which lights up the stage. I could go on and on...and it's all true. I don't think I have ever worked with a more diverse and inspiring group of artists.
There are four performances left of Oklahoma!, June 11, 12, 18, 19 at 2pm, so don’t miss it!
I’m writing from the steps of the Kitsap Forest Theater, watching our choreographer extraordinaire Guy Caridi sketch the beginnings of Oklahoma’s famous Dream Ballet. All of us (and my laptop) are grateful that, though gray, the skies over Seabeck are dry today. Just in case, however, we’ve got rain coats, plastic sheeting to save scripts from ruin and a watertight roof over our intrepid pianist, Debbie, who has fingerless gloves, a space heater and lots of hot drinks to ward off the cold.
Though we all grumble and burrow deeper into our Gore-Tex jackets when it starts to precipitate, we know that rain now means hillsides carpeted with rhododendron and dotted with trillium blossoms come May. It also fosters hardy actors and strong relationships among cast members; we have to become friends so we can share body heat! It’s a delight to watch this group of talented individuals start to work as a unit and support each other through the unique challenges of working in the Kitsap Forest Theater.
We’re also enjoying learning how to walk like cowboys, pronounce place names like “Catoosie” and “Quapaw” and embrace the exuberant energy of this classic American play. The play on which Oklahoma! is based, Green Grow the Lilacs by Lynn Riggs, is an elegy and a love song to the Indian Territory of the author’s childhood. His affection for the landscape, the speech and the song of the community in which he grew up infuses every word of his writing and informs Rodgers and Hammerstein’s big-souled musical adaptation. We’ll keep working to capture this spirit of optimism in every aspect of the production!
And to stay warm.
Yee-haw!
Jenny Estill
Director
(Here's an album of photos from the April 3 Rehearsal by fabulous cast member Lani Smith)